IN THE NAME OF BLACK LEGACY; MAYHEM
(One
of the first ever concerts given by the original band members in Izmir/TURKEY
in 9 December 1990)
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| Mayhem in Izmir(Turkey) |
When it’s cold, when it’s dark,
Mayhem is an obsessive dark melody stuck in your mind…
Mayhem not only delved into the
hearts with its music but also created black metal legacy that’s called 2nd
wave of Norwegian black metal which gets under our skin, outrageous and
incomprehensible.
The leader of chaos, Euronymous was
the most important and influential character in this dark story as he found
Mayhem, created black metal in all veins and contributed to spread all over. He
caught the uncanny spark that Venom unfolded from Pandemonium so to speak and
hit the lights in Dead for once.
A tragedy was born and dead in
Mayhem’s realm… Dead was the voice of dark symphony enlightening us under the freezing
moon, cold at heart, melancholic at soul. He fell in love with death since the
very beginning. Last words resonated in Life Eternal ironically.
Mayhem’s first ever European tour
in 90’s started with Germany. The plan was to be included Germany (Zeitz,
Leipzig, Chemnitz), Greece (Athens), Turkey (Izmir) and Netherlands by using
interrail. However not all the planned concerts were carried out.
Let’s focus on doomed İzmir concert
of Mayhem here. Date: 9 December 1990.
How was the band’s Turkey trip? What
had happened really in İzmir concert?
Mayhem was first time in Turkey and
stopped by İstanbul for a night before arrival to İzmir. During the show, electricity
was cut by the police hence concert was left half-finished.
As far as I learnt from the letters
of Euronymous that he had sent to Arcan Öğütverici (Dystopia Promoters) when
returned, they were quite pleased of the interest and hospitality they had here
despite of half-finished concert. Moreover, Euronymous was planning to come
back to visit Arcan in the summer time for sightseeing İzmir for they couldn’t’
achieve due to the restricted time.
Nonetheless there have been many rumors
circulating around about Mayhem İzmir concert still. The foremost answers can
only be given by its organizer Arcan Öğütverici (Dystopia Promoters) since it
is the reason of this interview.
Raison d’Être of Grotesque in İzmir
and The Rest of the Dark Story
How did you decide to organize
Mayhem concert back then in İzmir, TURKEY?
Arcan Öğütverici: I
had been travelling to London often for metal gigs and collecting metal records.
Also I was supplying patches and t-shirts
for local metalheads and a few record shops including Stüdyo Ümit, since mail ordering and importing vinyl and merch were
yet unknown in the Turkey at the time, even credit cards were newly
introduced and carrying foreign currency as considered a crime! At one of my
visits to London, I came across with a music shop called Shades where they were
selling only metal and punk records. There were also magazines where people announced
that they were looking for pen pals. I thought “why not?” and gave an announcement
too. Then I received like 30-40 requests and one of them was Øystein. One might
think that Turkey wasn’t well-known like today, so kinda absurd place. He wrote
me “I have a band and I’d like to give concerts at weird countries. Could you
please help me?” I was only 20 and it was 1990 when the concert organizations
were quite difficult in Izmir, Turkey and not much international ones. We kept
writing to each other, he sent me “Deathcrush” tape, flyers, photos of the band.
What were you listening at those
times?
I
started to head towards new things than thrash or heavy metal gradually. I had just
discovered Voivod, Celtic Frost, Coroner and the remaining of the Noise Records
catalogue. We were discussing with Euronymous, he mentioned that he liked Celtic
Frost’s music too. I was influencing him into Voivod’s music also, which you
can clearly see in Helvete shelves! In the meantime he kept insisting on Mayhem
concert in İzmir.
How long did you write to each
other with Euronymous?
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| Leipzig Booklet |
From
1988 to 1993. We exchanged around 30 letters. Finally I was convinced and went
to Stüdyo Ümit record store to
discuss. Niyazi told me that they can do the rest of the organization regarding
venue, backline, etc.
So I only need to arrange the concert in terms of
transportation and timing and bring them here. We wrote to each other with
Euronymous again and compromised. They would have a tour including Germany,
Greece and Turkey (İzmir).
"Full-blooded
stage show as if an opera"
It should be quite different than
this era as no internet and mobile existed. How did you contact with each other
during the trip from Norway to İzmir?
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| Leipzig Booklet |
It was difficult to contact any time you want.
Øystein gave me his mother’s home phone just in case.
We had talked on phone
couple of times after their Germany tour. He made a very detailed plan for
Turkey trip including the train departures by naming the stations of İstanbul,
wrote down timetables and prepared for the plan B if anything goes wrong.
Also
before coming to Turkey he sent me a detailed tour itinerary, with all the
interrail train arrival and departure times, and also a contact list of the
promoters of 1990 Mayhem gigs, with Sakis Tolis (Rotting Christ) for Athens’
gig and me just below Sakis as for İzmir promoter. In 29th March
2019 I had Rotting Christ play in İzmir as a homage to that tour itinerary and
gave Sakis that tour itinerary of Euronymous, he was amazed to see the flame
still burning in me!
Could you please tell about the
organization team of this concert?
Niyazi
(Stüdyo Ümit) printed poster and tickets and announced all the people who came
to store for tape merchandising. Serdar, the drummer of I.D.E.A. is one of my
old friends, he joined the team with his band I.D.E.A. and they took care of
equipment and backline issues. We led off such an amateur but an interesting
work. Niyazi and I.D.E.A. band were more professional as they had been doing
concert organizations before but for me it was the first ever.
When Mayhem arrived to Turkey, they
came across problems with customs. Is it true? What is the real story?
Yes,
customs officer was difficult, hence guitars, pedals and the mixer became a problem
because he thought that they were gonna sell it in Turkey. Euronymous called me
from the customs office and gave the customs officer on phone. I took all the
instrument list and sent them a signed fax saying “these equipments are brought
for concert and will be took out after 3 days”. The problem was solved right
away. The rest of the embellishments in the story are not real including
handcuffs.
Mayhem had memories in İstanbul
also as they first arrived there and stayed one night before hitting the road
to İzmir, right? What would like to tell about İstanbul times?
Band
came to İstanbul via interrail where my friend Yücel İnan met with them and invited
them to his home. He also took them to Kapalı
Çarşı (Grand Bazaar) which is one of the highlights of İstanbul to see and
introduced them Turkish kebab. Euronymous was mad about hot peppers. I was sending him Turkish hot peppers from
here. Yücel has an interesting memory with Necro. At that night his place, when
everyone went to sleep, Necro called his girlfriend who is in Norway by the
home phone and had a long call like 1-1.5hours. Back then calling abroad cost
like house rent. Yücel was a student. We figured out this one month after they
went back to Norway when the bill came. Yücel told me that and we solved it
between us. I also told what happened to Euronymous just to inform him. We did
not demand any money for that, never. He felt ashamed too, asked if he could
compensate. I said “no”. “We managed between us.”
I’m curious about Turkish bath
story.
When
they arrived to İzmir via bus, we took them to Turkish bath “hamam” as they
wanted to take a shower. That Turkish bath was located at an interesting part of
the city where one can see many small craftsmen also a place for selling stolen
goods, prostitutes and whatnot. As you can imagine they took attention
accordingly. They experienced the Turkish bath culture with all its elements
like loincloth (hamam towel), that wooden slippers, etc. Previously Euronymous
told me about Dead’s self-destructive acts but I understood what he meant at
that time when I saw Dead. He had a deep
scar at his belly; his arms are full of cuts. They were also around 20 years
old.
How were they at first sight? As we
kept reading about them from those books fanzines but you met with them
personally which sounds fantastic to me!
Dead
did not talk at all, only shook hands, he was like a ghost. Necrobutcher and
Euronymous were very talkative. Euronymous was very intellectual, I should say,
he was polyglot knowing 6-7 languages, had a grasp on cultures and politics.
After all I decided to organize the concert because of those intellectual
letters. I would not involve at all if he was an American metalhead.
Mayhem could play only 3 songs in İzmir
concert. What had happened really at there?
Back
then mostly concerts were open air. Before this concert, Turkish bands Metafor
and Pentagram had open air concerts in İzmir too. I only remember the band Rampage
(which I paid homage to Rampage by reserving a time for them as an opening band
in Mekong Delta gig in 2014) who could give concert indoors but it was
university related concert hall. They were able to play there just because one
of the professors arranged that place for them as they are students of that
university. One can do concert organization at indoor if only it is until 6-6.30pm,
no permission for night time. As I learnt from Niyazi who took part in the
organization to arrange the venue, permissions that adolescents are also coming
to events so kind of time limitation existed for under age people. If one
really wants to do, it was quite difficult since many permissions from police,
municipality and some offices related with cultural events, etc. are needed. At
that day there was a risk of rain, so our organization team arranged an indoor
venue by taking permissions but till the evening. No one should offense for
that as we were all amateurs at that time. There were 3 bands in the concerts.
First I.D.E.A who are part of the organization also, got on the stage and not
remember very well but kind of played a bit long. Then Hazy Hill came and they
played a bit long too. Other organizers told that they prolonged the sound
checks.
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| Mayhem Izmir Concert (1990) |
I
was dealing with Mayhem at that time. They had some requests like mirror to put
on corpse paint. They utterly changed when they wore corpse paint. At the
moment, I told myself that we delved into such a peculiar thing here. Mayhem
played 3 songs and immediately 2 police officers arrived at the door. They
talked with the venue owner and cut down the electricity as we did not have the
right to continue after that hour. We were all very angry but nothing to do as
it was the rule implied for indoor events at that time in İzmir. I went to the
stage and explained everything to Euronymous. Previously he asked me how to
swear in Turkish. He remember that and started to swear in Turkish by “saying
s*ktir! Turn on the electricity!” to the officers but unfortunately nothing we
could do. We had to finish the concert, we were all really sorry about that and
still is.
How was the audience at the
concert?
I
had watched 6-7 concerts until that day outside Turkey. It was the years when
Metallica was referred heavy, there was Venom as black metal but Mayhem was
absolutely different than anything else. Full-blooded stage show as if an
opera. Audiences are mostly high school students who came to concert from
various different places. Jokingly we call it “kazak (sweater) metal” as they
were all wearing that. You can see in the photos as well. There are ongoing
chit chats about “kazak metal” still.
Recently Necrobutcher’s book called
The Death Archives: Mayhem 1984-94 is published. It is written that Mayhem was
paid less that they were promised. How do you wanna answer this claim?
We
did not talk about concert fee with Mayhem. Euronymous asked me to give them a
chance to play and if we earn something from concert, then we would see.
Concert crashed fully. But I reserved something for Mayhem from my other
business. I gave them 400dollars. Euronymous thanked me at his letter for this
just because I supported Mayhem despite of concert’s failure
What was the reason for the
failure? Was there less audience than expected?
There
were around 500 people but may be 300-350 of them are ticketed. It was not good
financially.
Did you record the concert?
We
had a plan but we couldn’t achieve that as I had brought several types of
cassettes to record but the mixing board had a faulty cassette recorder that
day.
Could you please tell your memories
after concert?
We
took them the house in Karşıyaka (another
beautiful and seaside district of Izmir) where they would stay that night. It
was an old style duplex Greek house of the I.D.E.A’s drummer aunt. We ordered
chili pizzas as Euronymos liked and had a long talk at there with him after.
That house was just in front of the church street as we were both hearing
church bells and ezans (call for prayer, a sample can be heard at the beginning
of Celtic Frost’s Caress into Oblivion in Into the Pandemonium album) from the
mosques around. At that moment he told me “We have churches in Norway and we
are against to that. We want our old culture. But ezan is also Abrahamic origin
therefore we are against to it as well”. He asked me if there are any suppression
in Turkey for the people who listen this music.
When did they leave İzmir?
They
had an early train at the next day. I met with them in the morning and brought
them home made toasts. Train came earlier than expected and they had to leave
immediately. Necrobutcher seemed like he really wanted to go soon but
Euronymous wanted to stay more. He then told me that he wanted to come in the
summer time and also invited me to Norway.
How do you remember Mayhem now?
I
started a topic with Dead about his ritual of burying his clothes in the ground
before the shows and death stance. He said “Yes, it is my bound with that
world, otherwise I cannot stand here”. It was his only talk. Necrobutcher liked
to mess around, he kept asking “tell me if they laugh to me, then I show them”.
Euronymous was rational and intellectual, he was keeping eye on everyone in the
band. Hellhammer seems like 80s glam rocker wearing Aerosmith t-shirt, way more
different then how he is today on image. He asked if there will be girls at the
concert.
Did you continue to write each
other with Euronymous after concert?
Yes,
we had been in contact after concert. He wrote that they were very pleased,
wanted to come again and thinking to do it by a tour bus next time. After some
time at one of his letter, he wrote that Mayhem is only me and Dead. By time
another letter came saying that Dead is dead and he collected some parts from
him. He also mentioned that he found a record label called Deathlike Silence
Records and gonna release Mayhem albums and also a band called Burzum would be
taken part in the catalogue. After some time I learnt that Euronymous is killed
from a Greek TV channel that I had been watching due to its heavy metal
broadcasting. I was really shocked! We had plans for that summer with him. I
was supposed to go to Norway and we would work at Helvete together. Then he
would come to İzmir. He asked me to send Turkish flag to him. I sent it and he
hanged it in Helvete. He also made an offer to me at that time. He said that “I have many records, CDs remained
now, if you can sell them at there, I can send you and you can also take back your
400 dollars from the sales, and send back me what is left”. I was able to sell
10 Deathcrush albums only and sent their money to him. And I also bought
something for my own archive. I told him that I couldn’t buy more, I did not
think that I could sell. Now I am thinking if we came together and sold all
those records of DSP catalogue with the organizers all over the world hence he
was able to pay his depth to Varg, would all these things not happen at all?
Something ravishing (grimnessJ) has started with Mayhem years
ago. Do you continue the adventure?
I
had got back to listener mode after Mayhem until 2014. At that year I organized
Mekong Delta concert as Dystopia Promoters. In 2011 before Necrobutcher's book, the writer of the book interviewed me on 1990 izmir gig and had the interview printed in Norway's Enomag.
In 2015, when his book
is released, we had a live connection with Necrobutcher at his book signing session. I
reproached to him as he talked too negatively after the concert.
But he might misremember, I might misremember
something also, it was very long time ago indeed. Like Borges says reality changes by time. For this
reason, I write down everything and achieve nowadays. At that on air broadcast,
I met with Mork. He said that he wanted to come to Turkey for a concert. Then
in 18th March 2017, we organized a concert of Mork including
Suicidal Angels, Amken, Rampage. Later on, in 11th November 2017 I
had Eric Forrest (E-FORCE) playing Voivod’s Negatron and Phobos albums play in
İzmir with İzmir Attack.
I
also designed a homage t-shirt by taking permission from Mayhem and Mork
including their logos. At the İzmir concert, Mork made an introduction with
Freezing Moon dedicated to the uncompleted Mayhem concert.
On 1st
April 2018, I hooked Venom Inc. concert with İzmir Attack. Venom is the
beginning of black metal, it might be from taking backwards in historical sense
of this music after Mayhem but I really desired to do that. When Venom Inc. was
here, I asked Mantas looking in the eye “What have you done? Did you emit a
spark that result in fire? Or are you Prometheus?” He said that “Yes, it’s me.”
At last we had Rotting Christ concert in Izmir on 29th March 2019
with İzmir Attack.
I have this plan of
several gigs in mind to all to touch a separate eerie side of my connection
with Euronymous and realized some by these gigs.
These events seem like a part of
dark tradition, all in İzmir. Why İzmir? What kind of specialty does this place
have in your heart? Are there any future plans to spread darkness from this
Aegean shore?
İzmir
is host to conquests, wars, fires, disputes and whatnot for more than 5000
years, has always felt eerie to me since I was a little kid reading bits and
pieces on the history of the city and region. Unknown knows what have happened
in these blood soaked soils and salty dark seas. Mythology has deepened black
roots in Aegean along with Anatolia, which I believe, if we really knew the
truth to it, the world as we know wouldn't be the same. To be honest I didn't
know what would unfold by bringing Mayhem to İzmir in 1990.
"If the first things you've ever put in that black box are particularly have a dark essence, you're doomed forever."
Witnessing the
birth of 2nd wave of BM thru my special connection with Euronymous is once in a
lifetime uniqueness and the events took place around the band brought
uncanniness to the rest of my life. Since the connection with Euronymous and
the interrupted 1990 Mayhem İzmir gig is probably the main driving force of
this uncanniness, I still need to close the circle in a special way to rest in
peace! Yes, there'll be more specially picked fires.
By expending the interview towards
other forms of dark arts, I’d like ask your foremost character in horror genre
or mythology as if imaginary being of you which lures you up to know?
The
Gods seem to be the most luring of them all. Not a single horror character or
imaginary being has ever made people suffer or horrified them than Gods. Cthulhu,
Hellraiser, Zombies or any other imaginary character did no harm, other than
making people create more dark arts and enjoying their creations with
like-minded followers.
This powerful vibe has been feeding
from literature deep inside. I am thinking of Voivod which can be taken as
vampire sucking all those arts from Dracula, Lovecraft to Druillet, Mayhem
members are known with interest to dark arts, archaic books, horror literature
and Rotting Christ albums are like pages of book that one can explore many dark
poems, stories hiding behind. You share
this point of view with them, kind of match made in hell? J I am curious of your “sine qua
nons”?
My
gray matter is a product of the literature, paintings, movies, graphic novels,
music, letters received and all other forms of expression I've ever tasted. In
teenage years where you're an empty black box you start to throw in and feast
upon whatever comes in your way, but in the following years these coincidental
findings evolve into a deeper taste of collections where interaction binds your
likes. This results in a form of minimalism where you carefully filter the
essential, by which you reach perfectness by deduction. And if the first things
you've ever put in that black box are particularly have a dark essence, you're
doomed forever.
Unforeseen
lurking fears such like Lovecraft's creations, psychological terrors of Wells
(Dr.Jekyll and Mr.Hyde, The Invisible Man), Borges's short stories playing with
infinity and time, many of the dystopian literature where freedom is lost,
Goya's Black Paintings, the early black&white Dracula movies where you
don't get to see the bite but lots of character, bands that have a strong story
going on thru their discographies enriched with graphical album covers and
inserts such like Voivod, musical explorations over Lovecraft's stories or
eerie classical music such like Mekong Delta's, Bach's Art of the Fugue where same
notes come in from all diverse ends and collide, purest and ultimate darkness
created by Dead's lyrics and screams, sinister plannings of evil domination of
Euronymous, dark ancient words squeezed on Rotting Christ lyrics, Mork's
fisherman hook collecting dead souls from cold lakes in Norwegian forests always
attracted me heavily and makes me wander in the dreamworld, most of the time
making me park along the cliff as one of my fave writers says mesmerizingly.
Thank you for accepting my
interview and sharing this spellbinding story as I, myself imagined in full
blood and live all moments by listening you.
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| Mayhem in Izmir (Turkey) |
Note: Some part of this interview
is published in the 4th issue of Turkish Metal Bookazine HEADBANG in
Turkish.
ANNEX
MAYHEM IN İSTANBUL
8 DECEMBER 1990
Here you find the missing points in Mayhem story from
Yücel İnan who hosted them in İstanbul before they arrived to İzmir.
As the interrail came till İstanbul from Europe, the
band had to take a bus to come to İzmir. Yücel İnan used this fractal time to
know them and briefly introduce İstanbul to them.
I would like to thank to Yücel İnan for sharing this
memory and Arcan Öğütverici for his kind help to reach Yücel İnan and close the
circle that we have been doomed in forever!
Yücel İnan: Mayhem came to İstanbul on
8th December morning. I met with them at
the train station called Sirkeci. They were carrying guitars, bags so due to
leave the things, to have a little rest and also as I have no money what to do
else, I took them to the flat in Merter where my aunt and her husband had been
staying time to time when they came to İstanbul for business issues.
It was a three
room dingy, leaky basement flat including old furniture. They bought as
furnished apartment but as no one had been living regularly, it was a bit crap.
I remember that some part of the wallpapers were hanging down and it had those
old style sofas and chandeliers. It was just an ordinary flat of an ordinary
apartment in Merter where middle class people who moved from Anatolia to
İstanbul had been living.
I might have
called Arcan when we arrived home to inform him everything is ok. We dropped
the guitars and the stuff to home and went to a local kebab restaurant beneath
the typical carny apartments. I offered
them kebab at there and we enjoyed it by chatting. As it should be a restaurant
where no-alcohol is served, I bought couple of can beers before we headed to
home. We spent some time while drinking beers, Euronymous and bass guitarist
were very talkative. One of them, I guess he should be the one named Dead did
not talk at all and I couldn’t remember the other guy. We might have talked
about heavy metal, religion, dead things that Dead likes, etc at there.
For a moment bass
guitarist insisted to call his girlfriend in Norway. I tried to resist by
pointing him it was very expensive that I couldn’t pay since the phone wasn’t
registered under the name of me. I had never used the phone not to let my aunts
pay for me besides there was a risk not to pay the bills regularly as nobody
was living in there basically. But he
said that she was pregnant and he would pay the bill after, I drew in my horns.
He also said he would talk less but he broke his promise and talked a lot, jackass,
as if I hadn’t warned him ever! I was
breaking out in a cold sweet if he was able to hang up the phone.
In the evening, we
passed to Üsküdar by ferry from Eminönü. As they were tourists, I would like to
introduce them something more hence they would not have impressions limited to
Sirkeci Station and Merter regarding İstanbul.
We passed Bosporus via ferry with Mayhem. During the trip I asked
Euronymous what he was thinking about Turkish people and if he disdained Turks
due to being Muslim and middle-eastern as I was suspicious that he might have
had racist approach towards Turks because of his conversations. He told me that
he respected Turks because Turks have been powerful in the history and added
that he respected power.
When arrived to
Üsküdar, I took them to Harem bus terminal where they hit the road to İzmir. I
also charged the assistant man in the bus to take care of them as they are
tourists despite of they are weirdos.
I would like to take
them to Boğaziçi University to introduce with my metalhead friends but I
couldn’t make it either because of lack of time or they sort of had eccentric
appearances.
.
The End.
May be the very begining.
Darkest!
